Page 1 of 15

European Journal of Business &

Social Sciences

Available at https://ejbss.org/

ISSN: 2235-767X

Volume 07 Issue 01

January 2019

Available online: https://ejbss.org/ P a g e | 697

Social Issues Raised In the Plays of Mahesh Dattani

Author name- Dr Geeta Monga

Principal, Shah Satnam ji Girls College, Sirsa

geetamonga69@gmail.com

ABSTRACT

Mahesh Dattani’s plays represent twenty first century and its social

issues. The themes of his works are relevant to society, as time changes,

but society remains the same, which is universal truth. This study

provides unique insight in this changing world, presenting literary travel of

genres from West to East. His literatures show inner personality of society.

This raises his plays to universal level. His works vanish cultural

boundaries and discover excellence of works. The study not only limits

itself with the search of universality and unity, but also studies the

divergence as well. The objective of paper is to study the social issues

raised in the works of Mahesh Dattani.

KEYWORDS:

‘Where There’s Will’ , 'Dance Like a Man' , ‘Final Solution’

Page 2 of 15

European Journal of Business &

Social Sciences

Available at https://ejbss.org/

ISSN: 2235-767X

Volume 07 Issue 01

January 2019

Available online: https://ejbss.org/ P a g e | 698

INTRODUCTION

Mahesh Dattani is among the famous contemporary Indian English

dramatists all rolled in one, is a director, actor, writer, dancer and

teacher. He was born on August 7th 1958, in Guajarati family, settled in

Bangalore. He studied in Baldwin boy’s high school. He is a post

graduate in marketing and advertising management. His plays are

successfully staged in India as well as abroad. He has worked as copy

writer and founded a theatre grow play pen in 1984. He is a trained and

a perfect dancer of Bharathanatiyam.

He conducts workshop at his studios and teaches theatre courses Part

Lands state university, Oregon, USA. He seeks his inspiration from Vijay

Tendulkar, Girish Karnad, Tennessee Williams and Arthur Miller. He is

the first Indian English play wrights to be awarded the Sahitya Academic

Award. ‘Dance like a Man’ has won the award for the best picture in

English awarded by National Panorama in (1988) Sahitya Kala Parishad

had selected ‘Final Solution’ (1997). He has successfully hurled the

Indian theatre in English. His themes and the characters are chosen

from the Indian Society, but he raises them to the universal level, staged

anywhere in the world.

His significant plays include- Where There's a Will, 1988, Dance Like a

Man, 1989 , Tara, 1990, Bravely Fought the Queen, 1991, Final

Page 3 of 15

European Journal of Business &

Social Sciences

Available at https://ejbss.org/

ISSN: 2235-767X

Volume 07 Issue 01

January 2019

Available online: https://ejbss.org/ P a g e | 699

Solutions, 1993, On a Muggy Night in Mumbai, 1998, Seven Circles

Round The Fire (Radio play for BBC) (Seven Steps around the Fire),

1998, The Murder That Never Was, 2000 ; 30 Days in September, 2001

,Brief Candle, 2009 ; Where Did Leave My Purda,2012 ; The Big Fat

City,2012

A theme of Patriarchy can be observed in Dattani’s works.

“Patriarchy” is a social system in which male or father is considered as

head of the family, having authority more than others in the family,

showing the suffering of family under the oppression of patriarchy.

Society is dominated by male, who takes decision regarding the choices

of Education, marriage, property etc, the women and children become

the victim of their decision.

‘Where there’s will’ in the play the protagonist Ajit , his wife Preeti and

his mother Sonal suffer under decision of Hasmukh , who monitors his

family through his will even after his death. Hasmukh Mehta is an

industrialist, who is an autocratic patriarch. Hasmukh wants his son to

be obedient as he was to his father. Ajit feel frustrated, when his father

refuses to give his five lakhs for modernising the factory. He thinks his

son is spendthrift. Ajit feels that he is ignored by his father. He has no

emotional bonding towards his family. Hasmukh curses on the birth of

Ajit and wishes him dead. He treats his wife like a servant and mocks at