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Abstract
Sensitive writers all things considered and dialects have used their genius to display soul of life in their works. Composing is fundamental for their reality and they walk along with illogical agony through the creative procedure that draws out their work of masterfulness. The proportion of this agony relies upon the author's response to his social environment. Those writers who walk in otherworldly isolation experience this agony at its pinnacle. The agony further strengthens when one understands that creative procedure implies showing life's soul with every one of its complexities, without any outside additional items. Writers like Virginia Woolf and Malayalam essayist T A Rajalakshmi (1930-1965) have encountered this agony all through their creative life. There is a striking comparability in the example of inventiveness to the extent T A Rajalakshmi and Virginia Woolf are concerned despite the fact that they were generally isolated in space, time and culture. The present paper features this angle in the creative compositions of Rajalakshmi and Virginia Woolf and advances a hypothesis on the conceivable presence of a term Rajalakshmi impact like Sylvia Plath impact in literature.