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Abstract
The issues of identity and cultural conflicts have just been limitlessly investigated. In this manner, the present methodology broadens the extent of debate on identity to envelop the bigger element of exchange between societies. The motivation behind this exploration work is to familiarize the peruser with key ideas of Bakhtin, for example, – dialogism, heteroglossia, polyphony and carnivalesque, and to indicate the ramifications of these thoughts in the cross-cultural situation. Issues with respect to cultural experience, identity development, distinction and osmosis, shapes a piece of diasporic writing and ensnare postmodernist methodology also. Consequently, the present investigation approaches these issues from the point of view of diaspora. Since the issue of cultural experience is to be dissected explicitly from the point of view of women's identity, the way to deal with this issue through women's activist abstract theory is nevertheless characteristic. The main purpose of this paper is to study Bharati Mukherjee’s The Tiger’s Daughter: an endeavor to regain the lost identity. The most apparent and solid end, that can be drawn after a point by point and explanatory perusing of Bharati Mukherjee’s fiction is, that her fiction has turned out to be sequentially progressively American, in a practically parallel chart to her own expanding distinguishing proof with her new homeland. Mukherjee recognizes the “aloofness and expatriation” and “the richness of immigration”. By making this particular separation, she is inferring that the previous keep up their own ethnicity, while the immigrant likes to be affected and embraced by his host nation.