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Abstract
Indian English drama has grown into a vibrant literary tradition, often drawing upon the cultural, historical, and mythological traditions of India. One of the foremost dramatists in this tradition is Girish Karnad, whose works blend the complexities of modern theatrical forms with the richness of Indian mythology and folklore. This paper examines the impact of Indian mythology and folklore on Karnad's plays, focusing on how he incorporates traditional myths, stories, and cultural motifs into his plays to explore contemporary concerns. Through a close reading of some of his most prominent works, including Yayati, Tughlaq, Nagamandala, and The Fire and the Rain, this study underscores the ways in which Karnad uses mythology as a tool for social critique, political allegory, and philosophical reflection.